The Best 80s Zombie Films for Horror Fans

Take a step back in time and explore the unexpected, gory thrills of classic 80s zombie films. From classics like 'The Evil Dead' to 'The Fog.' A must read for horror fans.

The Best 80s Zombie Films for Horror Fans
80s Zombie Films

Classic 80s Horror Films Featuring Zombies

As someone who loves a good scare, I have always had a soft spot for classic horror films. And when it comes to the iconic decade of the 80s, you can't talk about horror without mentioning zombie films from the 80s. So let's take a trip down memory lane and dive into some great classic 80s zombie films that feature the undead.

The Evil Dead (1981)

The Evil Dead (1981) movie cover

Let's kick things off with a bang, shall we? "The Evil Dead," directed by the legendary Sam Raimi. Now, this isn't just a film; it's an experience—an unholy baptism into the world of 80s horror. And boy, does it deliver on the zombie front.

The Plot and Story of The Evil Dead (1981)

So, what's the hullabaloo with "The Evil Dead", you ask? Well, grab some popcorn and let me paint a picture for you. Five college students decide to spend their weekend in an isolated cabin in the woods (because, of course, what could possibly go wrong, right?). Things take a sinister turn when they stumble upon an audiotape in the basement. The tape, as it turns out, holds an ancient incantation that summons demonic spirits. And guess what these spirits are into? That's right, turning people into zombies.

The Book Of The Dead:The Evil Dead (1981)

As simple as this plot may sound, it is the sheer audacity of its storytelling that sets "The Evil Dead" apart. It's not just about gore and zombies—it's a relentless, atmospherically rich journey that doesn't let up till the credits roll. What's clever about the film is how it utilizes its confined setting and limited characters to ramp up the tension. Each friend, one by one, succumbs to the demonic influence, morphing into undead nightmares, leaving the last man standing, Ash Williams (played brilliantly by Bruce Campbell), to square off against his possessed companions.

Ash Williams with face covered in blood

The way Raimi and team use innovative camera angles, eerie sound design, and chilling makeup effects to create a sense of dread is nothing short of remarkable. The zombies themselves are a sight to behold—terrifying and grotesque, they fuel the film's horror element to its peak. Whether it's a result of nostalgia or the recognition of an audacious feat in filmmaking, "The Evil Dead" remains a testament to the genius of 80s horror, not just in the realm of zombie flicks, but across the genre. It's a wild, bloody ride that you won't forget—no matter how hard you try!

Linda turned in to zombie

The movie is a masterclass in low-budget brilliance. Raimi, along with his ragtag crew including the now-iconic Bruce Campbell, created a film that's both horrifying and hilarious. The direction is frantic, frenetic, and absolutely fearless. It's like Raimi is grabbing you by the scruff of your neck and yelling, "This is horror, mate! Strap in!"

The performances are... well, they're something. It's clear that everyone involved is giving it their all, and Campbell's Ash stands out as one of the defining characters of 80s horror. His transformation from frightened everyman to chainsaw-wielding zombie slayer is a sight to behold.

The special effects are top notch. The makeup on the zombies, or "Deadites" as they're known in the film, is gruesome and disturbing. Even today, it still has the power to make you squirm in your seat. And the stop-motion animation towards the end, while a bit dated, adds to the film's charm and otherworldliness.

Sam Raimi and crew behind the scenes of The Evil Dead 1981 film

The storytelling devices used in "The Evil Dead" were revolutionary for its time. Raimi's inventive camerawork, including the now-famous "shaky cam," created an atmosphere of dread and unease. The film's score is minimalistic, relying mostly on unsettling sound effects to heighten the tension.

So, how does "The Evil Dead" hold up today? Well, it's still a wild ride. Sure, some of the effects are dated, and the acting can be a bit over the top, but that's part of its charm. It's not just a horror film; it's a snapshot of a bygone era when filmmakers could take risks and push boundaries. And for that, it remains an essential watch for any horror fan.

The Evil Dead: Controversy and the Dreaded "Video Nasty" List

Now, what's a good horror flick without a bit of controversy, eh? "The Evil Dead" had its fair share, let me tell you. Upon its release, it was met with a rather, shall we say, 'enthusiastic' response by censors. In fact, it was outright banned in several countries and found itself on the infamous "Video Nasty" list in the UK.

Censors deemed it too gory, too violent, and too... well, evil. I suppose you could say it was a victim of its own success; it did its job too well. But, as with most things that get banned, it only made people want to see it more. And the rest is history.

Sam Raimi: The Mastermind Behind The Madness

You can't talk about "The Evil Dead" without giving a well-deserved shoutout to the man pulling the strings (or should we say, wielding the chainsaw?) behind the scenes.

Enter Sam Raimi, the mastermind behind this cult classic and many others. But who exactly is Sam Raimi? Well, buckle up horror fans, because we're about to dive deep into the life and career of this cinematic maverick.

Sam Raimi sitting with Bruce Campbell: behind the scenes of The Evil Dead 1981

Born on October 23, 1959, in Royal Oak, Michigan, Samuel M. Raimi grew up with a deep love for classic horror and comic books, a passion that would eventually translate into his unique filmmaking style. He burst onto the scene with "The Evil Dead" at the tender age of just 22. Armed with a camera, a handful of friends, and a boatload of creativity, Raimi created a film that would forever change the face of horror cinema.

But Raimi's creativity wasn't just limited to the horror genre. Oh no, far from it! The man is a genre-hopping juggernaut—from the superhero extravaganza "Spider-Man" trilogy to the neo-noir thriller "A Simple Plan", Raimi has shown time and again that he's not afraid to step outside his comfort zone. His films, while diverse in their themes and genres, share a common element—Raimi's unmistakable flair for dynamic storytelling, quirky humor, and irresistible charm.

Despite his successful mainstream ventures, Raimi never turned his back on his roots. He would return to the genre that started it all for him with "Drag me to Hell" in 2009, reminding us all of why we fell in love with his particular brand of madness in the first place.

Bruce Campbell reading script with Sam Raimi: The Evil Dead 1981

Today, Sam Raimi stands tall as one of the most influential filmmakers in the realm of horror and beyond. His unique vision, combined with his passion for storytelling, has cemented his status as a true icon of cinema. And with his upcoming venture into the world of the Marvel Cinematic Universe with "Doctor Strange in the Multiverse of Madness", it's evident that Raimi isn't slowing down anytime soon. So, whether you're a fan of blood-soaked undead or web-slinging superheroes, there's no denying that Sam Raimi has left an indelible mark on the world of film. And for that, we salute you, sir!

Full Cast, Characters, and Crew of The Evil Dead (1981)

  • Bruce Campbell as Ash Williams- The film's protagonist, Ash evolves from being a scared college student to a full-fledged zombie slayer.
  • Ellen Sandweiss as Cheryl Williams - Ash's sister who is the first one to become a victim of the evil spirits.
  • Hal Delrich as Scotty - Ash's friend who initially takes the demonic situation lightly, only to regret later.
  • Betsy Baker as Linda - Ash's girlfriend who gets possessed and torments Ash in unimaginable ways.
  • Sarah York as Shelly - Scotty's girlfriend who falls prey to the evil spirits and is killed by her boyfriend in an act of self-defense.
  • Sam Raimi - The mastermind behind this iconic horror film, Raimi's direction brings life to the entire film. His talent for creating an atmosphere of dread and unease sets him apart.
  • Robert Tapert - Serving as the producer of the film, Tapert's support and belief in Raimi's vision was instrumental in getting the film made.
  • Tom Sullivan - The man responsible for the film's special effects, Sullivan did a remarkable job with the limited resources available.
  • Joseph LoDuca - Composing the film's minimalistic score, LoDuca's music adds to the film's eerie atmosphere.

Reception and Critical Response: The Evil Dead (1981)

It's safe to say "The Evil Dead" didn't exactly receive a standing ovation from all corners at first. It's a bit like Marmite, you either love it or you hate it, no middle ground. A good chunk of the critics were not ready to embrace its unapologetic gore-fest and seemed put off by its low-budget aesthetics. Many labelled it as plain "video nasty," while some dismissed it as an exercise in sheer cinematic excess. But you know what they say about one man's trash being another man's treasure, right?

The Evil Dead 1981 poster

Well, let's just say, fans of the genre lapped it up. They appreciated its raw, unfiltered approach to horror, its innovative storytelling techniques, and the undeniable charisma of Bruce Campbell's Ash. They rallied behind it, and slowly but surely, it earned itself a cult following that continues to grow even today.

Extraordinary endorsements also came from high places. None other than the master of horror himself, Stephen King, described it as "the most ferociously original horror film of the year." Now that's some praise, don't you think?

As of today, "The Evil Dead" holds an impressive 95% on Rotten Tomatoes, with the critics' consensus praising it for its "full-blooded" approach to visceral horror. It's also a regular feature on many "Best of Horror" lists, not just for the '80s, but of all time.

So, despite its initially polarising reception, "The Evil Dead" has stood the test of time. It's often cited as an example of how to effectively utilize a low budget to create something truly remarkable. It's a testament to Sam Raimi's genius and has paved the way for countless other horror flicks that dare to push the envelope. If you ask me, it's a must-watch for anyone who claims to be a fan of the genre. So, what are you waiting for? Grab some popcorn, switch off the lights, and get ready for a wild, blood-soaked ride!

"The Evil Dead" didn't just make an impact on the horror genre; it sent an absolute shockwave through it. This film, with its low-budget charm and almost gleeful relish of all things gory, parked itself in the genre in a way few others had done before. It was a bit like a kitchen blender at a fancy food processor convention; everyone else had the money to look sleek and professional, but this little guy had the guts and the grit.

Raimi turned the traditional horror tropes on their heads, daring to blend horror and comedy in a way that was delightfully refreshing. Who knew getting scared could be so much fun, right? And then there was the gore. Oh, the gore! Rivers of blood and ooze and bits of... well... stuff. It was a visceral delight, a Technicolor testament to the art of special effects makeup.

But perhaps what is most striking about "The Evil Dead" is its lasting influence on the genre. It showed that horror didn't have to take itself too seriously to be effective. It proved that a strong character, like our beloved Ash, could carry a horror film just as well as any masked monster. It set the stage for an entire sub-genre of horror-comedy that's still thriving today, evidenced by films like "Shaun of the Dead" or "Zombieland."

In essence, "The Evil Dead" was a film that reveled in its own absurdity, and in doing so, dragged the rest of us along for the ride. It was a game-changer, a rule-breaker, a mold-shattering masterstroke that showed us the horror genre could be anything but cookie-cutter. So, let's raise a glass (or a chainsaw) to "The Evil Dead," the little horror film that could, and did, change everything.

The Fog (1980)

The Fog (1980) film cover

Moving away from the visceral gore-fest of "The Evil Dead", let's delve into the atmospheric, supernatural world of John Carpenter's "The Fog". It's like swapping out a blood-soaked, chainsaw-wielding maniac for a misty, seaside town harbouring vengeful ghost pirates. Sounds like a good trade, doesn't it?

Story and Plot

"Antonio Bay, California, has turned a hundred years old, and is getting its own, very foggy, birthday surprise!" Yep, that's right, folks - the premise of "The Fog" is as outlandish as they come! The film centers around a coastal town that is about to learn the hard way that you shouldn't mess with lepers, especially not the ghostly kind. Here's the scoop: a hundred years ago, the town's founding fathers deliberately sunk a ship full of lepers (rude, right?), stole their gold, and used it to build Antonio Bay. Fast forward to the present (well, 1980), and the spectral mariners have returned on the town's centenary to exact their revenge, concealed within... you guessed it... a menacing, ghostly fog!

Antonio Bay, California: The Fog film 1980

The film weaves together multiple storylines - a late-night radio DJ, a hitchhiking drifter, an investigative townie, and an honest-to-goodness seafaring priest - all of whom start experiencing weird happenings as the fog rolls in. What begins as a slow burn soon ignites into a full-on ghostly onslaught as our spectral sailors start making up for lost time, and boy, do they mean business! Can our plucky group of characters unravel the town's dark past and quell the vengeful spirits before it's too late? Well, you'll just have to watch it to find out!

John Carpenter on the set of The Fog with several cast members

Carpenter, known for his seminal slasher "Halloween", takes a different approach here, relying more on the eeriness of the unseen rather than outright gore. The film's titular fog, rolling ominously into the town of Antonio Bay, serves both as a chilling visual spectacle and a delivery vehicle for the undead sailors hell-bent on revenge.

The direction is top-notch, as one would expect from Carpenter. He expertly uses the fog as a cinematic device, its slow and inexorable advance reflecting the growing dread in the town. As for the performances, Adrienne Barbeau and Jamie Lee Curtis shine in their respective roles, their believable terror a testament to their acting prowess.

Cast and Characters

  • Adrienne Barbeau as Stevie Wayne: The sultry voice of Antonio Bay, Stevie is the owner and operator of the local radio station. She's a single mother, fiercely independent, and becomes the town's unintended guide over the course of the night. Barbeau delivers a strong performance, making Stevie a memorable character in the Carpenter universe.
  • Jamie Lee Curtis as Elizabeth Solley: The quintessential "scream queen", Curtis plays the role of a hitchhiker who ends up in the wrong town at the wrong time. Fresh off her success from Carpenter's "Halloween", Curtis brings a certain vulnerability to her character that resonates with the audience.
  • Tom Atkins as Nick Castle: Atkins plays the role of a local resident who becomes an unlikely hero. Nick's character isn't developed much, but Atkins adds layers to him with his performance, making Nick likable and relatable.
  • Hal Holbrook as Father Malone: Holbrook plays a guilt-ridden priest who discovers his grandfather's complicity in the town's dark secret. Holbrook delivers a haunting performance, keeping audiences engaged till the end.
  • John Carpenter (Director): Known as the master of horror, Carpenter shows his versatility in "The Fog", moving away from the slasher genre and creating an atmospheric ghost story. His use of visual storytelling and sound design is impressive, making "The Fog" a classic horror film.
  • Debra Hill (Producer and Co-writer): A frequent collaborator with Carpenter, Hill co-wrote and produced "The Fog". Her contributions to the film are crucial, especially in developing strong female characters, which was a rarity in horror films of that era.
  • Dean Cundey (Cinematographer): Cundey's work in "The Fog" is remarkable. His skillful use of lighting and shadow adds to the eerie atmosphere of the film, making the fog itself feel like a menacing character
  • Tommy Lee Wallace (Production designer and Editor): Wallace's set designs capture the small-town vibe of Antonio Bay perfectly. His editing skills are equally commendable, maintaining the suspense throughout the film.

Critics on Release

Upon its initial release, "The Fog" drew a varied response from critics. Some lauded it as another home run from John Carpenter, praising its atmospheric dread and old-school ghost story narrative. They highlighted Carpenter's masterful use of suspense, the eerie presence of the fog itself, and the chilling performances, notably those of Barbeau and Curtis.

The Fog 1980: Collectors edition poster

However, not all critics were enamoured. Some argued that the film was a step down from the visceral thrills of Carpenter's previous outing, "Halloween." They raised eyebrows at the slow pace of the first act, and the lack of explicit horror that some had come to expect from the director. There were critics who felt the film was perhaps too ambitious in its storytelling, juggling multiple storylines and failing to give each one the attention it deserved.

Despite the mixed reviews, "The Fog" managed to carve out its place in the annals of 80s horror cinema, creeping its way into the hearts (and nightmares) of horror fans the world over. Over time, it has gained a cult following and is now considered a classic within the genre. With its eerie atmosphere, chilling narrative, and memorable performances, "The Fog" stands proud as a quintessential supernatural horror film, a testament to Carpenter's mastery and a foggy gem of 80s cinema.

Day of the Dead (1985)

Day of the Dead (1985) film cover

When you think about iconic '80s zombie films, there's no way you can skip George A. Romero's seminal classic, "Day of the Dead". It is the third film in Romero's 'Dead' series, following "Night of the Living Dead" (1968) and "Dawn of the Dead" (1978). But let's just say it wasn't the trifecta everyone was expecting, and it did receive a bit of a cold shoulder from both critics and audience alike at the time. But why, you ask?

Well, as opposed to its predecessors, "Day of the Dead" took on a more sombre, almost nihilistic tone. Set in an underground bunker, it presents a grim post-apocalyptic world where humans are outnumbered by zombies 400,000 to 1 (talk about being the underdog!). Our protagonists here are a motley crew of military personnel and scientists, all trying to figure out a solution to their rather, shall we say, undead problem.

George A. Romero's 1980s

Romero's direction has always been a highlight. He has a knack for creating tension and a sense of dread that's palpable, and "Day of the Dead" is no exception.

The cinematography by Michael Gornick aptly captures the claustrophobic atmosphere of the bunker and the desolation of the outside world, making you feel the isolation and hopelessness of the characters.

One standout aspect of "Day of the Dead" has to be Tom Savini's special effects and makeup. The gore is upped significantly from the previous films, and the zombies look terrifyingly good (or should that be bad?). The decay and decomposition are so well-executed that you can't help but squirm in your seat.

The Story and Plot

Where "Day of the Dead" really shines, though, is in its narrative. This film doesn't just settle for the run-of-the-mill "zombies attack, people die" storyline. Oh no, it goes much deeper, delving into the social commentary that Romero is so famous for. This is a world where the living are just as dangerous as the dead, if not more so. The tension between the military and scientific factions provides a fascinating exploration of power dynamics and moral ambiguity. It's survival of the fittest in its rawest form.

Bub:Day of the Dead 1985

And then, of course, there's Bub. Ah, Bub, the zombie who loves listening to Beethoven and can operate a tape recorder. Bub, the unexpected emotional crux of the film. Bub, who forces us to question our assumptions about these so-called mindless flesh-eaters. Can zombies learn? Can they remember? Are they, despite all their rotting flesh and gnashing teeth, still human in some way? It's through Bub that Romero really pushes the boundaries of the zombie genre and gives us something to chew on (pun absolutely intended).

Zombies taking over the town:Day of the Dead 1985

The plot thickens as the humans try to "domesticate" Bub and other zombies, leading to some truly gruesome and heart-pounding scenes. And when the inevitable zombie breakout happens (because, let's face it, it's not a zombie movie if there isn't a breakout), it's a bloodbath of epic proportions.

So, buckle up, because "Day of the Dead" isn't just a 80s zombie film. It's a chilling examination of humanity and morality, with a side of gut-wrenching horror. It's a slow-burner, but boy, when it catches fire, it really does light up the screen!

Cast, Characters and Crew

  • Lori Cardille as Dr. Sarah Bowman: Our strong-willed and resilient protagonist, Sarah is a scientist desperately trying to understand and find a cure for the zombie epidemic. Cardille's performance is a pillar of strength in an otherwise grim and gory scenario.
  • Terry Alexander as John: The helicopter pilot providing the much-needed comic relief in the story, Alexander's John is a charismatic and laid-back ray of sunshine in the otherwise gloomy setting.
  • Jarleth Conroy as William McDermott: Playing the role of the radio operator, Conroy's character brings a sense of normalcy to the extraordinary circumstances, serving as a reminder of a world that once was.
  • Richard Liberty as Dr. Logan: In the role of the eccentric scientist trying to rehabilitate zombies, Liberty delivers a memorable performance that is both intriguing and chilling.
  • Joseph Pilato as Captain Rhodes: As the brutal and ruthless military commander, Pilato's Rhodes embodies the worst aspects of humanity, making him a character you love to hate.
  • Sherman Howard as Bub: A standout amongst the undead, Bub is an experiment and a pet project of Dr. Logan. Howard's performance as the mildly sentient zombie is both eerie and oddly endearing.
  • George A. Romero (Director): The mastermind behind the 'Dead' series, Romero's innovative direction and storytelling techniques are as much a character in "Day of the Dead" as any of the humans or zombies.
  • Tom Savini (Special Effects and Makeup): Savini's masterful effects work in "Day of the Dead" set a new standard for gore and realism in zombie makeup, raising the bar for future horror films.
  • Michael Gornick (Cinematographer): Gornick's cinematography perfectly captures the desperation and isolation of a world overrun by zombies, making "Day of the Dead" a visual experience as much as a narrative one.

The Critical Reception

"Day of the Dead" didn't exactly rise to a standing ovation when it first hit the screens. Critics and audiences, who were expecting another action-packed, mall-romping adventure like its predecessor "Dawn of the Dead", found the slower pace and philosophical undertones a bit hard to swallow. The film was dismissed as too "talky" and "preachy". The gore, while impressive, was deemed excessive and gratuitous. Even the introduction of Bub, which we now regard as a masterstroke, was met with mixed reviews. Some loved the new depth it brought to the zombie archetype, while others were simply not ready to empathize with a flesh-eating monster.

Zombies eating human flesh:Day of the Dead 1985

Fast forward a few decades, and oh, how the tides have turned! "Day of the Dead" has since been re-evaluated and is now considered not just a classic, but perhaps the most underrated entry in Romero's 'Dead' series. Its social commentary, once criticised, is now praised for its prescience and depth. The performances, particularly those of Lori Cardille and Joseph Pilato, have garnered appreciation. And Bub, well, Bub is now a beloved icon of the genre.

So yes, "Day of the Dead" may have been a late bloomer, but it's a bloomin' good one. It just goes to show that sometimes, you need a bit of distance to truly appreciate a work of art. Or in this case, a work of heart-thumping, gut-churning, mind-bending horror. Can we get a round of applause for "Day of the Dead", please?

Zombie Flesh Eaters (Zombi 2)

Zombie Flesh Eaters (Zombi 2): Original movie poster

"Zombie Flesh Eaters" or "Zombi 2" as it's also known. Where do we even begin with this gem from the Italian horror maestro, Lucio Fulci? This would be in any 80s zombie films list.

Released in 1979 ( yes not quite the 80s but too good to leave out), "Zombie Flesh Eaters" is often considered one of the first films to feature the modern zombie trope - slow-moving, flesh-eating creatures brought back to life by some sort of virus or curse. It follows a group of people trying to survive on an island overrun by the undead, all while uncovering the mysterious origins of the zombie outbreak. So far, so good, right?

A young, Lucio Fulci: behind the camera directing

Well, what sets "Zombie Flesh Eaters" apart from other films in its genre is its sheer boldness and audacity. Fulci doesn't hold back when it comes to gore, giving us some truly memorable and stomach-churning scenes. From an eyeball impalement to a zombie vs shark fight (yes, you read that right), "Zombie Flesh Eaters" has it all. And let's not forget the iconic zombie attack through a door scene that still makes us jump out of our skin.

But it's not just about the gore and special effects in this film. Fulci also creates a tense and eerie atmosphere with his direction and use of music, making "Zombie Flesh Eaters" a true horror classic. And while some may criticize the lack of character development, it's hard not to get caught up in the apocalyptic chaos and root for our ragtag group of survivors.

Plot and Story

"Zombie Flesh Eaters" spins a tale as gnarly as the zombies it portrays. The story kicks off with an eerie, seemingly abandoned sailboat floating around New York Harbor. But, oh dear reader, this boat isn't as empty as it looks! Our first zombie encounter happens right here, setting the tone for the wild ride ahead.

Zombie Flesh Eaters:Dr. Menard

The boat belonged to a certain Dr. Menard, a scientist who had set sail to a remote tropical island to research a deadly epidemic. When news of the boat and its ghastly occupant reaches his daughter, Anne Bowles (played by Tisa Farrow), she decides to go looking for her dear old dad. Along for the ride are reporter Peter West (Ian McCulloch) and holidaying couple Brian and Susan. Because, as we all know, nothing says 'vacation' like a potential zombie-infested island, right?

Several zombies eating flesh from dead body

Upon arrival, they find the island in a state of decay, metaphorically and quite literally. The dead are rising from their graves, feasting on the living, and things are going downhill fast. Dr. Menard, holed up in the local hospital, is trying to understand the phenomenon, but spoiler alert: it's not going well.

The plot moves at a slow but steady pace, ramping up the tension with each passing minute. Every corner turned, every door opened, could have a zombie lurking behind it. And let's not forget the palpable fear of the characters that rubs off on you. It's this slow burn and constant suspense that makes "Zombie Flesh Eaters" a compelling watch. It's a simple story, of course, but it's the execution that makes it a standout. The unraveling mystery, the desperate fight for survival, and the sobering realization of mankind's fragility make for an enthralling narrative. And the zombies? Well, they're just the cherry on this gruesome cake!

Cast, Characters, and Crew

  • Tisa Farrow (Anne Bowles): Sister to the better-known Mia Farrow, Tisa Farrow delivers a solid performance as the concerned daughter, Anne. She brings a certain vulnerability to her role, making her character's fear and desperation palpable and relatable.
  • Ian McCulloch (Peter West): McCulloch is a standout as the tenacious reporter, Peter West. His character is determined, smart, and scrappy, making him an easy favourite. McCulloch's portrayal of the West as a flawed hero is commendable, adding a layer of realism to the character.
  • Al Cliver and Auretta Gay (Brian and Susan): Cliver and Gay play the holidaying couple who get more than they bargained for. Their chemistry on screen is palpable, and while their characters might not get as much development, their performances are strong enough to leave an impression.
  • Richard Johnson (Dr. Menard): Johnson is effective as the doomed Dr. Menard. His portrayal of a man driven to madness by his circumstances is both terrifying and tragic.
  • Lucio Fulci (Director): Fulci's skill as a filmmaker is undeniable in this movie. His knack for creating tension and his unflinching use of gore create a horror masterpiece that still stands tall today.
  • Sergio Salvati (Cinematographer): Salvati's work in "Zombie Flesh Eaters" deserves a special mention. His gritty and realistic portrayal of the chaos and devastation on screen adds another layer of horror to this classic film.
  • Fabio Frizzi (Music): Frizzi's score for "Zombie Flesh Eaters" is eerie and atmospheric, perfectly complementing the film's horror elements. His music is a character in its own right, setting the mood and amplifying the scares.
  • Gino De Rossi (Special Effects and Makeup): De Rossi's innovative special effects and makeup work brought the gruesome zombies to life, pushing the envelope in terms of gore and realism. His work elevates the horror of "Zombie Flesh Eaters", making it a must-watch for fans of the genre.

Reception and Critical Reviews

Initially, "Zombie Flesh Eaters" was met with mixed reviews. Critics were quick to dismiss it as just another zombie movie, some even deeming it too gory and violent for their taste. The infamous eye-gouging scene, in particular, had many critics squirming in their seats and questioning the film's exploitation of violence. But hey, this is a zombie film we're talking about, what were they expecting? A Jane Austen adaptation?

On set: Zombie Flesh Eaters 1979

On the flip side, there were those who appreciated Fulci's fearless approach to horror and applauded the film for its grotesque special effects and atmospheric score. As time passed, "Zombie Flesh Eaters" gained a cult following and its status as a horror classic was firmly cemented.

Zombie Flesh Eaters Video cover

Looking at it today, the film holds up remarkably well (much better than the undead themselves). Yes, some aspects might seem dated, especially when compared to modern zombie films, but the shock factor is still there. The special effects and makeup by De Rossi still hold their ground, the zombies look as menacing and revolting as ever, and those unforgettable gore scenes still elicit a gag (or two).

In terms of ratings, "Zombie Flesh Eaters" currently holds a 5.8/10 on IMDB and a 36% on Rotten Tomatoes. User reviews, however, tell a different story with many praising the film's campy, over-the-top gore and hailing it as a must-watch for any zombie enthusiast.

So, whether you're a hardcore zombie movie fan, or just looking for a taste of classic 80s horror, "Zombie Flesh Eaters" is worth checking out. Just make sure you're not eating anything while you watch it. Trust me on this one.

The Return of the Living Dead (1985)

The Return of the Living Dead (1985) cover

Next up in our ghoulish tour of 80s zombie films is "The Return of the Living Dead." Don't be fooled by the title, this is no mere sequel to Romero's "Night of the Living Dead". Oh no, this one's a beast of its own! Directed by Dan O'Bannon, this film perfectly marries horror with comedy, creating a memorable sub-genre of its own - the zom-com!

The film opens in a medical supply warehouse, where foreman Frank (James Karen) decides to impress new recruit Freddy (Thom Mathews) with a tour of the spooky basement. There, Frank nonchalantly points out a batch of army surplus drums, claiming they contain the remains of experimental zombies. What could possibly go wrong, right? Well, in true horror fashion, one of the drums ruptures, releasing a toxic gas that reanimates the dead, and kick-starts an undead apocalypse. It's like a Pandora's box of the undead, but with more punk rock and less hope.

The direction by O'Bannon is commendable, skillfully juggling the horror and comedy elements. There's an unforgettable scene where a half-dog specimen comes back to life and sends the characters into a panic. It's just as hilarious as it is horrifying!

Frank:The Return of the Living Dead 1985

The movie's cinematography, by Jules Brenner, captures the chaos and pandemonium with an unflinching eye. The performances from the ensemble cast, especially Clu Gulager as warehouse owner Burt and Don Calfa as the eccentric mortician Ernie, elevate the film's comedy quotient.

The special effects work by William Munns deserve a special mention. From split dogs to rain-soaked zombies rising from their graves, Munns' work is both terrifying and impressive. His zombies are far from your usual shuffling corpses. They run, they scream, they strategize, and worst of all, they're practically indestructible!

The film's punk rock soundtrack, featuring the likes of The Cramps and The Damned, sets the tone for the film, making it an instant 80s classic.

Cast, Characters and Crew

  • James Karen (Frank): Karen shines as the naive and bumbling foreman Frank. His comedic timing is spot on, delivering laugh-out-loud moments even amidst the chaos of a zombie apocalypse.
  • Thom Mathews (Freddy): Mathews plays the new recruit who gets more than he bargained for on his first day at work. His transformation from a naive apprentice to a petrified victim of the zombie onslaught is both frightening and heart-wrenching.
  • Clu Gulager (Burt): Gulager stands out as the resourceful and somewhat ruthless warehouse owner, Burt. His tactics for dealing with the zombie outbreak highlight the comedic undertone of the film.
  • Don Calfa (Ernie): Calfa steals the show as the quirky mortician who unwittingly becomes an ally in the battle against the undead. His eccentricities add a layer of humor to the otherwise horrifying scenario.
  • Dan O'Bannon (Director): O'Bannon cleverly blends horror and comedy to create a zom-com that is as terrifying as it is hilarious. His vision and execution make "The Return of the Living Dead" a cult classic in the genre.
  • Jules Brenner (Cinematographer): Brenner's cinematography captures the horror and hilarity of the situation with equal intensity. His use of lighting and angles enhance the atmosphere of the movie, making every scene memorable.
  • William Munns (Special Effects): Munns' groundbreaking special effects and makeup work deserve applause. His depiction of the undead is both terrifying and ingenious, breaking the stereotypes associated with zombies.
  • Soundtrack: The film's punk rock soundtrack sets the tone for the movie, adding a layer of rebellious energy and raw intensity. It perfectly encapsulates the anarchic spirit of the 80s.

Critics Release on The Return of the Living Dead (1985)

"The Return of the Living Dead" has a unique place in the realm of 80s horror. It brought a fresh spin to the zombie genre, breaking away from the traditional gory narratives and infusing it with humour. Not just any humour, but a dark, morbid comedy that had you laughing even as you shielded your eyes from the gore. It was a daring move, and it paid off. The critics loved it!

The film currently holds a 91% rating on Rotten Tomatoes and an impressive 7.3/10 on IMDb. Critics hailed it as a "cult classic," praising the clever combination of horror and comedy. They lauded the performances, particularly Karen and Mathews, for delivering the laughs amidst the horrors of a zombie apocalypse.

Dan O'Bannon: The Return of the Living Dead Director

Critics also gave a nod to the groundbreaking special effects, which breathed life (ironically) into the undead, creating creatures that were as terrifying as they were impressive. The punk rock soundtrack became an instant hit, embodying the rebellious spirit of the 80s and adding to the film's overall appeal.

In comparison with other 80s zombie flicks, "The Return of the Living Dead" stands out for its originality and daring approach. It did not just rely on shock value; it created a whole new perspective on zombies, making them more than just mindless flesh-eaters.

In a nutshell, "The Return of the Living Dead" is a must-see for any horror fan. It's a testament to the creative brilliance of the 80s, showcasing a perfect blend of horror, comedy, and rebellion. And let's face it, who can resist a zom-com that has you laughing and shrieking in equal measure?

Pet Sematary (1989)

Pet Sematary (1989) movie poster

If you're a fan of 80s zombie films mixed with supernatural elements, then "Pet Sematary" is the film for you. This 1989 classic based on Stephen King's novel of the same name is a chilling take on the old saying, "be careful what you wish for".

Story and Plot

"Pet Sematary" follows the story of the Creed family who move to a rural home in Maine that happens to be near a pet cemetery. However, this is no ordinary pet cemetery, it's built on an ancient burial ground that possesses the power to bring the dead back to life. Dr. Louis Creed, played by Dale Midkiff, learns about this eerie ability when his daughter's cat, Church, is tragically hit by a truck. To spare his daughter's feelings, he buries Church in the pet cemetery, only to have the cat return home the next day, albeit a bit worse for wear and decidedly more aggressive.

But the real horror begins when the Creed's youngest child, Gage, meets the same fate as Church. Overcome by grief and desperation, Louis buries his son in the pet cemetery, setting in motion a series of horrifying events that lead to a terrifying finale.

Ellie Creed:Pet Sematary 1989

The film delves into the dark side of human nature, exploring themes of grief, death, and the lengths one would go to bring back a loved one. It presents an unnerving premise – just because you can bring someone back from the dead, does that mean you should? The answer, as the Creeds painfully learn, is a resounding no. The film's plot is a chilling assertion of the saying that "dead is better".

Indeed, "Pet Sematary" isn’t just your typical zombie flick. It's a horror masterpiece that uses the classic zombie trope to tell a much deeper, more poignant story about the human condition. The result is a film that is as thought-provoking as it is terrifying, and one that stands out in the pantheon of 80s horror cinema.

Cast and Characters

  • Dale Midkiff (Dr. Louis Creed): Midkiff delivers a captivating performance as the tormented father who dabbles with forces beyond his comprehension. His portrayal of a loving father driven to desperation is both compelling and unsettling. Midkiff's performance adds a layer of authenticity to the film that drives the horror home.
  • Denise Crosby (Rachel Creed): Crosby plays the role of the mother struggling to protect her family from the horrors unleashed by the pet cemetery. Her performance is marked by raw emotion and palpable fear, making her character resonate with the audience.
  • Miko Hughes (Gage Creed): Hughes, despite his young age, delivers a chilling performance as the innocent child turned terrifying entity. His transition from a lovable toddler to a monstrous zombie is both eerie and heart-wrenching.
  • Blaze Berdahl (Ellie Creed): Berdahl plays the role of Ellie, the older sibling who senses the dark forces at play. Her innocent fear and confusion add a poignant touch to the chilling narrative.
  • Fred Gwynne (Jud Crandall): Gwynne's portrayal of the wise old neighbour with a dark secret is memorable. His character serves as a grim warning against meddling with forces of nature.
  • Mary Lambert (Director): Lambert's direction brings Stephen King's chilling tale to life with a perfect blend of horror and emotion. Her ability to portray the terror of the supernatural intertwined with the tragedy of loss sets "Pet Sematary" apart in the genre.
  • Peter Stein (Cinematographer): Stein's cinematography creates an atmosphere of dread and suspense that permeates the entire film. His use of lighting and angles enhance the eeriness of the pet cemetery and the horror that it unleashes.
  • David Anderson and Lance Anderson (Special Effects): The Anderson brothers' special effects and makeup work create a chilling depiction of the undead that is both horrifying and realistic. Their work adds to the film's shock value and makes the horror all the more tangible.
  • Elliot Goldenthal (Music): Goldenthal's score adds to the suspense and horror of the film. His music sets the tone for the movie and adds to the overall chilling experience.

Critical Reception

Upon its release, "Pet Sematary" garnered mixed reviews from critics. Some praised it for its chilling narrative and faithful adaptation of Stephen King's novel, while others criticised it for its heavy reliance on gore and shock value. That being said, it's worth noting that time has been kind to "Pet Sematary". Over the years, the film has earned a cult following and is now considered a classic in the 80s horror genre.

Stehpen King and Mary Lambert in discussion on set

Critics lauded Dale Midkiff's performance as Dr. Louis Creed, applauding his portrayal of a man driven to the brink of sanity by grief and desperation. Denise Crosby's performance as Rachel Creed also garnered positive reviews, with critics highlighting her raw and emotional portrayal of a mother trying to protect her family from supernatural horrors. However, the standout performance, according to many critics, was delivered by Miko Hughes, who played Gage Creed. Despite his young age, Hughes was praised for his chilling performance as the innocent child turned terrifying entity. It's a testament to his acting prowess that he was able to convincingly portray both sides of Gage - the adorable toddler and the horrifying zombie.

While audiences were divided over the film's heavy use of shock tactics, many agreed that the special effects and makeup work by the Anderson brothers were top-notch. The depiction of the undead, particularly Gage, was praised for its realism and terrifying details. The use of practical effects in a pre-CGI era added a layer of palpability to the horror, making it all the more shocking and effective.

The movie also garnered praise for its atmospheric cinematography and eerie music. Peter Stein's work behind the camera was lauded for creating an atmosphere that was both beautiful and haunting, perfectly encapsulating the film's dark themes. Elliot Goldenthal's score, on the other hand, was celebrated for enhancing the suspense and horror of the film, creating a chilling audio experience that complemented the visual horrors on screen.

Scary woman off Pet Sematary 1989

While "Pet Sematary" may not have been a universal hit with critics at its time of release, it has certainly left an indelible mark on the horror genre. And even after over 30 years since its release, it continues to terrify and captivate audiences, earning it a well-deserved spot in the pantheon of classic 80s horror cinema. So, if you're a fan of horror, or just a cinema enthusiast looking to explore a classic, "Pet Sematary" is certainly worth a watch. Just remember - sometimes, dead is better.

Dead and Buried (1981)

Dead and Buried (1981) film cover

"Dead and Buried" is a horror gem from 1981 that deserves to be unearthed by every horror enthusiast. Directed by Gary Sherman, this film presents a unique spin on the zombie genre and has to go on our 80s zombie films.

Story and Plot

Now, if you think you've seen all there is to zombie flicks, "Dead and Buried" might just surprise you. The story zigs where most zombie films zag. Instead of the living fighting off hordes of ravenous undead, we find the seemingly charming and welcoming town of Potter's Bluff where visitors are mysteriously murdered and then resurrected. These undead townsfolk then go about their daily business as if they just hadn't been offed and buried. Talk about a working dead situation, eh?

The plot thickens as local sheriff Dan Gillis (James Farentino) starts to notice the strange goings-on. Each time a new face shows up in town, they end up dead and then - surprise, surprise - back on their feet in no time. It's like a deadly game of Whack-a-Mole where the moles refuse to stay down. As Gillis digs deeper (no pun intended), he uncovers a sinister plot orchestrated by the town's eccentric mortician, Dobbs (Jack Albertson in his final role), who has a knack for making the dead look alive.

"Dead and Buried" weaves an intricate web of mystery, horror, and dark humour. Its unique take on the zombie genre, combined with its unexpected plot twists and turns, makes for a captivating watch. So, if you're in for a not-so-typical night of screams and laughs, this 80's classic is worth digging up.

sheriff Dan Gillis:Dead and Buried 1981

Sherman's direction is atmospheric and suspenseful, doing a stellar job of building a sense of dread and unease from the get-go. You know that feeling when you walk into a room and you feel like you've walked into a spider's web, but you can't quite see where the spider is? That's Potter's Bluff for you.

The cinematography by Steven Poster brings this eerie town to life, or should we say, afterlife? The camera work does an excellent job of portraying the town's tranquil façade, while subtly hinting at the darkness that lurks beneath.

The performances are top-notch, with James Farentino delivering an excellent performance as Sheriff Dan Gillis, who's as confused as we are about the happenings in Potter's Bluff. Jack Albertson, in his final role, portrays William Dobbs, the town's mortician, with an eerie calm that just adds to the overall creepiness. His monologues about the art of making the dead look alive are delivered with such enthusiasm, you almost forget it's a zombie we're talking about.

Special effects wizard Stan Winston's makeup for the zombies is highly commendable. The zombies in "Dead and Buried" aren't your typical, decaying ones; they look just like you and me, which adds to the film's unique terror.

Cast and Characters

  • James Farentino as Sheriff Dan Gillis - A seasoned actor, Farentino delivers a convincing performance as the town sheriff. He perfectly captures the essence of a man thrown into an unimaginable situation, his confusion and horror palpable in every scene.
  • Jack Albertson as William G. Dobbs - Albertson, in his final role, brings an eerie serenity to the character of Dobbs. His monologues are chilling and haunting, as he describes his process with an unsettling calm. A truly memorable performance.
  • Melody Anderson as Janet Gillis - As the wife of the sheriff, Anderson gives a strong performance. She portrays Janet as a loving, supportive wife who carries a secret that could turn their world upside down.
  • Lisa Blount as Nurse Lisa - Blount's character adds an element of mystery to the storyline, and her performance balances both the normal and the unsettling aspects of her character, adding another layer of intrigue to the film.
  • Gary Sherman - Director. Sherman's atmospheric direction and knack for suspense make "Dead and Buried" an unforgettable experience. He masterfully builds up tension and shock, delivering a unique spin on the zombie genre.
  • Steven Poster - Cinematographer. Poster's camera work effectively captures the eerie atmosphere of Potter's Bluff. His use of lighting and framing adds depth to the narrative and enhances the overall mood of the film.
  • Stan Winston - Special Effects Makeup. Winston's phenomenal makeup skills make the zombies look terrifyingly realistic. His work adds a layer of authenticity to the film and heightens its shock value. One can always appreciate the level of detail that goes into creating such convincing undead characters.
  • Joe Renzetti - Score. Renzetti's hauntingly beautiful score keeps the audience on their toes and enhances the tension throughout the film. It's the perfect accompaniment to the chilling visuals on screen.

Critics on Release

When "Dead and Buried" was first released in 1981, it wasn't received with open arms by all critics. Some felt it was too gruesome, and its dark humour didn't resonate with everyone.

Critic, Roger Ebert

Critics, like Roger Ebert, felt that the gore overshadowed the story, calling it a "sick little movie". However, others appreciated the unique spin on the zombie genre, lauding its atmospheric direction and commendable performances. Vincent Canby from New York Times, for instance, praised the film for its "macabre sense of humour and its ability to generate tension". Today, with the advantage of hindsight, "Dead and Buried" is seen as an unconventional gem in the treasure trove of 80s horror cinema. Despite its initial mixed reviews, it has aged like a fine wine (or should we say, like a well-preserved zombie?), and has carved out its own niche among horror aficionados. Whether you watch it for the chills, the laughs, or just to appreciate a good old 80s horror, "Dead and Buried" stands the test of time, offering a chilling and enjoyable cinematic experience.

Night of the Creeps (1986)

Night of the Creeps (1986) film poster

"Thrill me!" - if you're familiar with this catchphrase, then you know we're talking about Fred Dekker's "Night of the Creeps" (1986). An uproarious blend of B-movie science fiction and grisly horror, the film presents a hilarious and horrifying night of terror that will leave you in stitches - the laughing kind, not the surgical ones!

Story and Plot

"Night of the Creeps" kicks off with a bang, or rather, a crash. When an alien experiment gone awry crash-lands on earth, it wreaks havoc in a small American town. The experimental parasites, which turn their hosts into hungry zombies, find their way into the local university. Suddenly, the frat boys and sorority sisters have more to worry about than just their midterms and prom dates!

The plot revolves around our two underdog heroes, Chris (Jason Lively) and J.C. (Steve Marshall), who inadvertently release the alien parasites while trying to pledge a fraternity. As their fellow students start turning into the walking dead, it's up to them, along with grizzled detective Ray Cameron (Tom Atkins), to save the day.

This 80's classic doesn't just serve up scares, though. "Night of the Creeps" also dishes out a hearty helping of humour. Its satirical take on the college life and B-movie tropes, combined with the hilarious one-liners (remember "Thrill me!"), make for a refreshing change from your typical zombie flick.

So, will our unlikely heroes be able to stop the zombie apocalypse? Will they save their college from being overrun by alien parasites? And most importantly, will Chris ever get his date with the beautiful Cynthia (Jill Whitlow)? Well, you'll just have to watch to find out!

Chris:Night of the Creeps 1986

Dekker's direction is a delightful homage to the B-movies of the ‘50s and ‘60s, blending elements of horror, comedy, and science fiction. The result is a tongue-in-cheek, self-aware gem that knows exactly what it is and has a blast being it. Cinematographer Robert C. New’s lens captures the zombie mayhem with a palpable sense of fun. The film’s colour palette, lighting, and shot composition all contribute to its distinctly ‘80s vibe, a time when horror films weren’t afraid to mix silliness with scares.

The performances are wonderfully over-the-top, particularly from Tom Atkins as the grizzled, one-liner-spouting detective Ray Cameron. His deadpan delivery, combined with Dekker's sharp and witty script, makes for some of the most memorable lines in ‘80s horror cinema.

J.C. Night of the Creeps 1986

David B. Miller's special effects are another highlight of "Night of the Creeps." The slithering alien parasites are genuinely creepy, skittering about with a mind of their own and making you wary of unexpected "kisses." The film also utilizes practical effects to great effect, offering a refreshing contrast to today's CGI-heavy horror.

A special shout-out to Barry De Vorzon’s score, which expertly juggles the numerous genre elements at play. Its synthesizer-heavy, ‘80s-infused music adds to the film's playful, eerie atmosphere, enhancing the overall experience.

"Night of the Creeps" was, unfortunately, a commercial failure upon its initial release, but today it's celebrated as a cult classic, a treasure among ‘80s horror offerings. The film is a testament to the era's wild, experimental spirit, where filmmakers weren't afraid to mix genres and tones. While it might not send you into a cold sweat of fear like some other movies of the time, "Night of the Creeps" delivers a rollicking good time, reminding us that horror should be fun. AndAn error occurred during generation. Please try again or contact support if it continues.

Cast, Characters and Crew

  • Fred Dekker - The man behind the madness! Dekker is the film's director and scriptwriter. He's known for his unique blend of horror, science fiction and comedy. If you're laughing one moment and screaming the next, you've got Dekker to thank for that.
  • Jason Lively - Chris Romero. Lively perfectly embodies the lovable, nerdy underdog. Will he get the girl AND save the world? Only time will tell!
  • Steve Marshall - J.C. Hooper, As Chris's best friend. Marshall provides the film's comic relief. His quippy one-liners and humorous antics will have you chuckling through your screams.
  • Tom Atkins - Detective Ray Cameron. He's seen it all, done it all, and lived to tell the tale. His deadpan delivery of the iconic "Thrill me!" line is a highlight of the film.
  • Jill Whitlow - Plays the beautiful Cynthia Cronenberg. Whitlow brings a combination of charm, courage, and '80s style to the character. Is she just a love interest, or could she be the key to stopping the zombie apocalypse?
  • Robert C. New - The film's cinematographer. New expertly captures the 80s-era college town overrun with zombies. His use of light and shadow adds a layer of suspense to the zombie-filled mayhem.
  • David B. Miller - Special effects and makeup designer. Miller is the genius behind the film's creepy-crawly alien parasites and the increasingly zombified students. His practical effects lend a gruesome, gory charm to the film.
  • Barry De Vorzon - The man behind the synthesizer-heavy score. De Vorzon's music hits all the right notes (pun intended), amplifying the film's blend of horror, comedy, and sci-fi elements.

Reception and Legacy

At first glance, "Night of the Creeps" might seem like a by-product of the '80s zombie films craze - just another flick trying to cash in on the terror train. However, a deeper dive reveals a cult masterpiece, a zombie romp that treats its audience both to a thrilling ride and a witty parody. Though initially met with a lukewarm response at the box office, the film has undergone a resurrection of sorts. Over the years, it has clawed its way out of obscurity and into the hearts of horror enthusiasts around the globe.

Director Fred Dekker:Night of the Creeps 1986

Its initial commercial failure could be attributed to a number of factors. Was it too far ahead of its time, its blend of horror and comedy not yet mainstream? Or perhaps it was simply overlooked amidst the deluge of '80s horror classics. Whatever the reason, "Night of the Creeps" has since risen from its cinematic grave, embraced by a new generation of fans appreciating its cheeky twists on zombie tropes and the nostalgic charm of its '80s aesthetic.

Today, "Night of the Creeps" has taken its rightful place in the pantheon of '80s horror classics. It's not just a movie - it's a time capsule, preserving a slice of the '80s when horror was as much about fun as it was about fear. It's a testament to the enduring appeal of the genre, a beacon for horror filmmakers who dare to step outside the box. In the end, the legacy of "Night of the Creeps" lives on, not as a footnote, but as a genre-bending, rule-breaking, zombie-slaying epic that proves sometimes it's okay to mix your screams with a little laughter. Long live the Creeps!

Re-Animator (1985)

Re-Animator (1985) movie poster

"Re-Animator" is another delightfully twisted offering from the '80s that combines gruesomely visual horror with dark comedy. Helmed by director Stuart Gordon, the film is an inventive adaptation of an H.P. Lovecraft tale, featuring a stellar performance by Jeffrey Combs as the eccentric medical student Herbert West.

Story and Plot

The story of "Re-Animator" introduces us to the world of Herbert West, an offbeat medical student who has developed a serum that can reanimate the dead. If you think this spells trouble, you'd be absolutely right! West's obsession with his groundbreaking discovery spirals out of control as the viewers are led on a rollercoaster ride of raucous, blood-splattered mayhem.

"Re-Animator" is a vibrant take on classic horror, infusing a H.P. Lovecraft short story with '80s style and gory special effects. The story follows Herbert West (Jeffrey Combs), a medical student with a peculiar interest in the line that separates life and death. West develops a reanimation serum, a glowing green liquid with the power to bring the dead back to life.

Upon transferring to Miskatonic University in New England, West moves in with fellow medical student Dan Cain (Bruce Abbott) and introduces him to his ground-breaking research. Despite initial hesitations, Dan is intrigued by West's work and becomes an accomplice in his macabre experiments.

Herbert West: Re-Aminator 1985

Their secretive work does not go unnoticed for long. Dr. Carl Hill (David Gale), a faculty member at the university with a sinister agenda, becomes aware of their success in reanimation. Driven by greed and a desire for power, Hill attempts to steal West's discovery, culminating in a horrifying series of events involving reanimated corpses running amok.

The film pushes boundaries with its pulsating narrative and depiction of the grotesque, never shying away from the horrifying implications of West's scientific pursuits. From start to finish, "Re-Animator" keeps its audience on edge, an '80s horror roller-coaster ride that masterfully blends black comedy with visceral shocks.

Cast, Characters, and Crew

  • Jeffrey Combs - Combs stars as the eccentric medical student, Herbert West. His portrayal of West's manic determination and deranged charm is a standout, making the character an unforgettable icon of '80s horror cinema.
  • Bruce Abbott - Plays Dan Cain, West's unsuspecting roommate. Abbott's performance provides a grounding contrast to Combs' wild eccentricity, challenging us to question our own ethical boundaries when faced with West's alluring discoveries.
  • Barbara Crampton - Crampton portrays Megan Halsey, the daughter of the dean and Dan's love interest. She delivers a performance full of fear and vulnerability but also courage, making her the emotional core of the film.
  • David Gale - Gale is Dr. Carl Hill, the sinister antagonist of the story. His role is filled with equal parts menace and sleaze, contributing to the dark, comedic undertones of the film.
  • Robert Sampson - Sampson plays Dean Halsey, Megan's caring father who becomes a tragic pawn in West's deadly game.
  • Stuart Gordon - The director and co-writer of the film. Gordon masterfully balances the macabre with the comedic, resulting in a film that is as entertaining as it is horrifying.
  • Mac Ahlberg - The cinematographer of the film. Ahlberg's use of lighting and camera angles enhances the eerie atmosphere, immersing viewers fully in the bizarre world of "Re-Animator".
  • John Naulin - The special effects artist. Naulin's work on the film is both grotesque and impressive, making the reanimated corpses of "Re-Animator" a sight to behold... if you dare!
  • Richard Band - The composer of the film's score. His music, reminiscent of the iconic 'Psycho' theme, adds to the film's suspense and complements its darkly humorous tone.

Critics' Reception and Legacy

Upon release, "Re-Animator" received mixed reviews from critics. Some lauded its originality and dark wit, while others were put off by its graphic violence and gore.

Stuart Gordon: Director of the Re-Animator

The New York Times labelled it a "mordantly funny, terrifically energetic horror movie", while Variety dismissed it as "an extremely gory medical horror film that is vile, reprehensible, disgusting and brilliant."

However, just like "Night of the Creeps", "Re-Animator" has since gained a cult following. Today, the film is recognised for its daring blend of horror and comedy, and its unapologetic embrace of the grotesque. It holds a 93% rating on Rotten Tomatoes, with the consensus reading, "Perfectly mixing humor and horror, the only thing more effective than Re-Animator's gory scares are its dry, deadpan jokes."

Its impact on the horror genre cannot be overstated. The character of Herbert West, with his immoral scientific fascination, has become a horror icon, and Jeffrey Combs' manic performance is widely celebrated. The film's mix of gore and comedy has inspired many modern horror films, proving that it was indeed ahead of its time.

Dr. Carl Hill:Re-Animator

Moreover, "Re-Animator" has stood the test of time in terms of its shock value. The special effects and makeup, particularly the reanimated corpses, continue to appal and thrill audiences today. The film's unique storytelling devices, grounded in Lovecraftian horror, have kept it relevant in the horror genre.

In comparison to other '80s horror films, "Re-Animator" stands out with its blend of horror and comedy. While many films of the era relied on jump scares and psychological horror, "Re-Animator" dared to be different. Its distinct approach paved the way for future horror comedies and proved that a movie could deliver both laughs and screams in equal measure.

In conclusion, "Re-Animator" is a classic '80s horror film that dared to push boundaries and challenge conventions. Its legacy is a testament to the power of original storytelling and the enduring appeal of the horror genre. To all horror enthusiasts out there, this is an '80s zombie film you don't want to miss!

Evil Dead II (1987)

Evil Dead II (1987) film poster

Sam Raimi's "Evil Dead II" is a thrilling and inventive sequel that effectively mixes slapstick humour with gory horror, creating a unique cinematic experience that has become a cult classic. This '80s zombie movie features Bruce Campbell reprising his role as Ash Williams, a man stranded in a cabin in the woods with his girlfriend. The pair unknowingly unleash flesh-possessing demons by playing a recorded incantation from the ancient 'Book of the Dead'.

The film's direction and cinematography are top-notch, with Raimi's distinct style creating an atmosphere that is both claustrophobic and chaotic. Campbell’s performance as Ash is outstanding, as he flawlessly shifts from moments of sheer terror to physical comedy. The special effects, particularly the inventive make-up and puppetry used to create the film's variety of grotesque creatures, are commendable and contribute significantly to the film's enduring appeal.

Ash with hand around his neck

What sets "Evil Dead II" apart from other '80s horror films is its audacious blend of humour and horror, a trait that has inspired countless other movies in the genre. While comparable '80s zombie films like "Day of the Dead" leaned heavily into their bleak and horrific elements, "Evil Dead II" found a unique voice by embracing absurdity and over-the-top gore. Its iconic cabin setting, deadite zombies, and the unforgettable scene of Ash replacing his severed hand with a chainsaw, have left an indelible impact on pop culture.

"Evil Dead II" is a testament to the imaginative and boundary-pushing nature of '80s horror and stands as a defining moment in the genre. Even after three decades, its giddy blend of gore and laughs still feels fresh and entertaining, ensuring its place among the classics of zombie cinema.


"Evil Dead II" comes back with a bang, the story picking up where the first one ended but with a twisted sense of humour.

All the main characters: Evil Dead II (1987)

Ash Williams (Bruce Campbell) and his girlfriend Linda (Denise Bixler) find themselves in an isolated cabin in the woods, unaware of the horror that awaits them. Upon discovering an ancient tome known as the 'Book of the Dead' and a tape recorder, they unknowingly summon malevolent forces after playing the tape, which contains incantations from the book.

The resulting carnage sees Linda possessed and decapitated, leaving Ash alone to face the demonic entities. As the night progresses, more characters are introduced, including the daughter of the archaeologist who owned the Book of the Dead. Each one succumbs to the evil in various violent and comedic ways.

Ash holding a chainsaw: Evil Dead II (1987)

One of the standout moments includes Ash, our unlikely hero, replacing his possessed right hand with a chainsaw, a truly iconic moment in '80s horror cinema. The film climaxes with Ash being sucked into a time portal to the Middle Ages, setting the stage for the third film in the series, "Army of Darkness". 

"Evil Dead II" manages to perfectly balance the line between horror and comedy, creating an unforgettable and unique journey that leaves audiences both terrified and entertained. Its plot, embracing the outrageous and the absurd, marks this film as a standout in '80s zombie cinema and beyond.

Cast / Characters

  • Ash Williams (Bruce Campbell): Ash is the iconic protagonist of the Evil Dead series, known for his sharp wit, one-liners, and his chainsaw-hand. In "Evil Dead II," Ash's character evolves from an average guy into a reluctant hero, battling the undead with a mixture of horror and slapstick humour. Campbell's performance is both commanding and charismatic, contributing significantly to the film's cult status.
  • Linda (Denise Bixler): Linda is Ash's girlfriend who accompanies him to the isolated cabin. Unfortunately, she becomes one of the first victims of the demonic forces they unwittingly unleash. Despite limited screen time, Bixler's performance is memorable, particularly in her transformation from innocent girlfriend to laughing, dancing demon.
    Annie Knowby (Sarah Berry): The daughter of the archaeologist who discovered the Book of the Dead, Annie is brave, intelligent, and resourceful. She plays a crucial role in the film's plot, attempting to put an end to the carnage via her knowledge of the ancient tome. Berry's performance lends the film a sense of urgency and seriousness amid the chaos.
    Jake (Dan Hicks) and Bobby Joe (Kassie Wesley DePaiva): Jake and Bobby Joe are a local couple who guide Annie and her associate to the cabin. Their encounter with Ash and the evil forces provides a few comedic moments as well as some of the movie's more gruesome scenes.
    Ed Getley (Richard Domeier): Ed is a fellow archaeologist and Annie's associate who accompanies her to the cabin. His character serves to heighten the tension and horror when he becomes possessed and transforms into one of the grotesque 'deadites'.
    Henrietta Knowby (Lou Hancock/Ted Raimi): Henrietta is Annie's mother who becomes possessed and locked in the fruit cellar of the cabin. She is portrayed by Lou Hancock in her normal form and by Ted Raimi in her 'deadite' form. Henrietta’s character offers some of the most unsettling and memorable scenes in the film, with Ted Raimi's grotesque performance leaving a lasting impression.

Makeup and Behind the Scenes

"Evil Dead II" is celebrated not just for its unique blend of horror and comedy, but also for its outstanding makeup and special effects which were groundbreaking for the '80s.

Ash in water: Evil Dead II

The film’s ‘deadites’, the possessed zombies, are especially noteworthy, presenting a wide array of grotesque and horrifying creatures that range from mildly to severely deformed. The makeup team, led by legends such as Greg Nicotero and Howard Berger, created some of the most memorable monsters in '80s cinema. 

The transformation scenes, from human to deadite, were both terrifying and impressive, showcasing the brilliant use of practical effects. Standout transformations include Linda's demonic transformation, and Ed's disturbing change into a deadite, both of which were achieved through a combination of makeup and prosthetics. 

Ash fighting fruit cellar zombie

Behind the scenes, the crew faced numerous challenges. The infamous 'fruit cellar' scene, where Ash fights Henrietta, was physically demanding for both Bruce Campbell and Ted Raimi (who played the transformed Henrietta). Raimi's full-body suit was not only cumbersome and hot, but it also leaked due to the excessive amounts of sweat produced during the strenuous shoot, making for an uncomfortable and challenging working condition. Regardless, the team's dedication and hard work are evident on-screen, contributing to the film's enduring appeal.

The film’s impressive makeup and special effects continue to inspire contemporary horror films and solidify its place as a classic in '80s zombie cinema. It serves as a reminder of the capabilities of practical effects, providing a tactile and visual horror experience that still resonates with audiences today.

Impact and Legacy

"Evil Dead II" remains a pivotal point in '80s zombie cinema, setting a high bar for both the horror and comedy genres.

Bruce Campbell in makeup talking to Raimi

Its pioneering blend of slapstick humour and genuine horror not only made it a cult favourite but inspired a generation of filmmakers. Renowned directors such as Peter Jackson and Edgar Wright have cited it as a significant influence in their work.

Its protagonist, Ash Williams, has become a cult icon. Bruce Campbell’s portrayal of Ash is now synonymous with the blend of horror-comedy, and his character is still beloved by fans across the globe. The film's unique style, narrative ambition, and memorable characters have left a profound mark on the genre, influencing the tone and direction of numerous subsequent films.

From a technical perspective, the film's innovative use of practical effects and makeup have shaped the industry, reminding filmmakers and audiences alike of the immersive power inherent in 'real' effects. Its influence can be seen in the current resurgence of practical effects in horror, a testament to the film’s enduring appeal.

Ask facing camera: Evil Dead II

The film’s legacy can also be observed in its successful transition to other media formats. The Evil Dead franchise has expanded to include comic books, video games, and a television series, "Ash vs Evil Dead", which continued the story of Ash Williams, further cementing the film's impact on pop culture.

In essence, "Evil Dead II" is more than just a successful '80s zombie film. Its innovative blend of horror and comedy, its memorable characters, and its ground-breaking use of practical effects have seen it transcend its era, standing the test of time and maintaining a significant place not just in '80s cinema, but in movie history as a whole.

The House by the Cemetery (1981)

The House by the Cemetery (1981) poster

"The House by the Cemetery" is another classic entry in the '80s zombie film canon. This Italian horror film, directed by the renowned Lucio Fulci, sends shivers down the spine with its chilling atmosphere and gory special effects. The plot revolves around a family that moves into a New England house, unaware of its terrifying previous inhabitant, Dr. Freudstein, a deranged doctor turned undead killer. Fulci uses this setting to craft a truly unnerving horror experience, using foreboding cinematography to paint a dark and eerie picture of the house and its hidden secrets. The performances are top-notch, with Catriona MacColl delivering a particularly gripping portrayal as the troubled mother. The zombie makeup, handled by Giannetto De Rossi, is gruesomely effective, making Dr. Freudstein a truly terrifying figure in zombie cinema. "The House by the Cemetery" stands as a testament to Fulci's ability to blend atmospheric horror with horrifying zombie imagery, making it a must-watch for fans of '80s zombie movies.

Story Synopsis

Lucy Boyle and Dr Boyle

"The House by the Cemetery" follows the Boyle family - Dr. Norman Boyle (Paolo Malco), his wife Lucy (Catriona MacColl), and their young son Bob (Giovanni Frezza). The family moves from New York to a remote house in New England unfamiliar with its horrific history. The house previously belonged to Dr. Jacob Freudstein, a sinister surgeon who was infamous for his unethical medical experiments. Freudstein murdered his wife and assistant, and his dark legacy still haunts the house.

Bob begins to see a mysterious girl who warns him about the dangers of the house, but his warnings are dismissed by his parents. As they settle in, Lucy starts experiencing strange occurrences and nightmarish visions. She discovers that every family that lived in the house had either disappeared or died under mysterious circumstances.

Bob Boyle screamingThe real horror unfolds when they find out that Freudstein is not just a memory. The mad doctor's undead form resides in the house's basement, kept alive through gruesome methods. The family's attempts to escape form the heart of this haunting narrative, culminating in a chilling climax that cements the film's place in '80s zombie cinema.

Cast and Characters

  • Dr. Norman Boyle (Paolo Malco): Dr. Norman Boyle is a research scientist from New York City who relocates his family to New England for his studies. Malco brings a believable gravitas to the role of Norman Boyle, a man initially sceptical of the supernatural. As he delves deeper into the dark history of the house, he becomes increasingly horrified by the truths he uncovers.
  • Lucy Boyle (Catriona MacColl): Lucy is Dr. Boyle's wife and mother to their young son Bob. She is portrayed as a strong woman, deeply protective of her family. MacColl's performance stands out as she goes from a supportive and caring wife to a frightened individual wrestling with the nightmarish reality of her new home.
  • Bob Boyle (Giovanni Frezza): Bob is the Boyle's young and curious son. He starts to see a ghostly girl around the house who warns him of the impending danger. Frezza does an excellent job of portraying the fear and confusion Bob experiences as he becomes embroiled in the supernatural happenings surrounding his family.
  • Ann (Ania Pieroni): Ann is the Boyle's enigmatic and somewhat creepy housekeeper. While she appears initially benign, her eerie calmness hints at a deep and unsettling knowledge of the house's dark past. Pieroni's performance lends an unsettling yet captivating air to her character.
  • Dr. Jacob Freudstein (Giovanni De Nava): The undead Dr. Freudstein is the film's central horror figure. Despite the lack of vocal dialogue, Nava's performance as the zombie Freudstein is deeply unsettling. His grotesque appearance and violent actions make him a memorable villain in the '80s zombie cinema.

Makeup and Special Effects

Special effects: Giannetto De Rossi

"The House by the Cemetery" is a shining example of '80s special effects and makeup artistry in action. Giannetto De Rossi, a special effects master, was at the helm of creating the grotesque and chilling look of Dr. Freudstein. De Rossi's work on the mutated, decomposing appearance of the undead doctor is nothing short of stunning. The detail in the zombie makeup is deeply unsettling, from the pallor of Freudstein's flesh to the horrific injuries and mutilations that reveal layers of rotting flesh underneath. The effect is shockingly realistic, making Freudstein a genuinely terrifying figure on screen.

The film also boasts some incredibly realistic and shocking gore effects that further enhance the terrifying atmosphere. Each violent encounter with Freudstein is made all the more horrifying by the gruesome special effects. The blood and gore aren't used merely for shock value but rather to reinforce the film's chilling narrative and heighten the sense of dread. Head by Giannetto De RossiThese practical effects are a testament to the creativity and skill that defined the horror genre in the '80s, and they remain highly effective even in today's era of digital effects.

In terms of special effects, Fulci does not hold back. The gore-filled scenes are visceral and shocking, with a level of detail that is both unsettling and impressive. This balance between visual terror and narrative substance is what makes "The House by the Cemetery" stand out as a classic '80s horror film. The combination of De Rossi's makeup and the film's special effects come together to create a truly chilling horror experience, cementing its place in the annals of great '80s zombie cinema.

Critics' View of the Film

The film received mixed reviews upon its release, but over the years, it has gained a cult following among horror and zombie movie aficionados. Critics praised Fulci's imaginative direction and the film's intense, dreamlike atmosphere. The film's narrative, while often criticized for being confusing and disjointed, was also celebrated for its surreal and nightmarish quality. Many pointed out that it was this very disjointedness, this refusal to adhere to traditional horror narrative structures, that gave the film its unique and haunting charm.


The performances, particularly those of Catriona MacColl and Paolo Malco, were commended for their depth and intensity. Their portrayal of a couple grappling with the horrific reality of their new home added a layer of emotional complexity to the film that resonated with the audience. Giovanni Frezza's portrayal of Bob Boyle was also noted for its blend of innocence and fear, making him a compelling character in the narrative.

Critics were blown away by the special effects and makeup, helmed by Giannetto De Rossi. The gruesome depiction of Dr. Freudstein and the horrifying gore effects were hailed as some of the best in '80s horror cinema. De Rossi's attention to detail in creating the terrifyingly realistic look of the undead Freudstein was widely appreciated, cementing his status as one of the great makeup artists of the horror genre.

Music compose Walter Rizzati

The film's eerie score, composed by Walter Rizzati, was also praised for enhancing the chilling atmosphere. Critics noted that it added an additional layer of tension and dread to the film, making scenes of terror all the more impact.

However, as with any film, "The House by the Cemetery" had its detractors. Some critics found the plot too convoluted and the pacing inconsistent. Others felt that the film relied too heavily on gore effects rather than building suspense. But despite these criticisms, the film's standing as an '80s horror classic remains uncontested. It's a testament to the enduring appeal of Fulci's unique brand of horror, blending visceral imagery with a haunting narrative to create a truly unforgettable zombie film.

House (1985)

House (1985) film poster

"House" is a unique blend of horror and comedy that stands out among the plethora of zombie movies released in the 80s. Directed by Steve Miner, the film takes us on a thrilling journey with Roger Cobb (played by William Katt), a horror novelist who inherits a haunted house following his aunt's death. The outstanding performance by Katt captures the audience's attention, bringing an element of relatability and humour to the horror genre. His journey to face his personal demons, portrayed metaphorically through the literal demons in the house, makes for an engaging narrative.

The Story

This zombie film presents a captivating and immersive narrative that seamlessly intertwines elements of horror and comedy, creating a truly unique blend of genres. The protagonist, Roger Cobb, a highly acclaimed horror writer, finds himself grappling with personal challenges that add depth to the story. These challenges include a bitter divorce, which has left him emotionally scarred, and the heart-wrenching disappearance of his beloved son, shrouded in mystery.

Roger Cobb: House (1985)

When Roger inherits his late aunt's house following her tragic suicide, he sees it as an opportunity for a fresh start and a chance to find inspiration for his next novel. Little does he know that this seemingly ordinary house holds dark secrets and is infested with a myriad of ghoulish entities. These spectral beings serve as symbolic manifestations of Roger's personal demons, representing the traumas he endured as a Vietnam War veteran and the overwhelming guilt he carries for his son's disappearance.

Harold Gorton: House (1985)

As the story unfolds, Roger finds himself entangled in a spine-tingling journey of self-discovery and redemption. Determined to confront his inner demons, he embarks on a perilous quest within the haunted confines of the house. The narrative masterfully explores the depths of Roger's psyche, delving into his internal struggles and presenting them through the chilling external hauntings he encounters.

Big Dad: House (1985)

Throughout the narrative, the audience is taken on a thrilling roller-coaster ride, teetering on the edge of their seats as they witness Roger's harrowing battle against the supernatural forces that plague him. The carefully crafted blend of horror, humour, and emotional depth adds layers of complexity to the narrative, making it a truly immersive experience. Moments of bone-chilling terror are expertly juxtaposed with moments of comedic relief, providing a welcome respite from the tension and allowing the audience to catch their breath before diving back into the heart-pounding action.

Tanya: House (1985)

In conclusion, "House" is a mesmerizing tale that captivates the imagination and engages the senses. Its intricate narrative, filled with nuanced character development and a richly detailed world, leaves an indelible impression on the audience. Prepare to be enthralled as you embark on this haunting journey with Roger Cobb, where horror, comedy, and emotional depth converge to create a truly unforgettable experience.

Cast and Characters

  • William Katt as Roger Cobb: Katt delivers a compelling performance as the haunted novelist Roger Cobb. A Vietnam War veteran, Cobb grapples with his traumatic past, the pain of a recent divorce, and the mysterious disappearance of his young son. His character is complex and deeply human, injecting a dose of reality into the fantastical proceedings of the film.
  • George Wendt as Harold Gorton: Wendt shines as Cobb's eccentric and nosy neighbour, Harold Gorton. He provides much of the film's comedic relief, often barging into Cobb's house uninvited and offering unsolicited advice. Despite his quirks, Gorton proves to be a loyal friend to Cobb, standing by his side through the most trying of times.
  • Richard Moll as Big Ben: Moll portrays Big Ben, a monstrous entity who haunts Cobb throughout the film. Once a fellow soldier and friend of Cobb's in Vietnam, his character was tragically killed and is now a vengeful spirit seeking closure. Moll's performance as Big Ben is both terrifying and tragic, making him a memorable character in the film.
  • Kay Lenz as Sandy Sinclair: Lenz plays Sandy Sinclair, Cobb's ex-wife and a well-known soap opera actress. Despite their marital troubles, she retains a soft spot for Cobb and is deeply concerned about his wellbeing. Lenz's portrayal of Sinclair adds a touch of warmth and humanity to the film.
  • Mary Stavin as Tanya: Stavin’s character, Tanya, is a stunning and charming TV host who takes an interest in Cobb’s haunted house. Her character provides some light-hearted moments in the film, offering a contrast to the grim happenings within the haunted house.

Makeup and Special Effects

Barney Burman - makeup special effects: House (1985)

The makeup and special effects in "House" deserve a special mention for their significant contribution in bringing the film's horror elements to life. The spectral entities that haunt Roger Cobb, from the grotesque war-time friend Big Ben to the monstrous closet creature, are depicted through outstanding makeup and prosthetics work. The creature designs are imaginative and unsettling, with a level of detail that adds an extra layer of realism to the film's supernatural elements. The special effects, although dated by today's standards, were quite impressive for the mid-80s. The film's practical effects, such as the levitating tools in the haunted shed or the hand that springs out from the wall-mounted fish, create an atmosphere of unpredictable and surreal terror. Despite the comedic undertones of the film, the makeup and special effects team did an excellent job maintaining a consistent feeling of dread and unease throughout.


Cinematography Mac Ahlberg: House (1985)

The cinematography in "House" is instrumental in setting the tone and mood of the film. Director of photography Mac Ahlberg uses the camera as an effective storytelling tool, adding depth and nuance to the narrative. The film is filled with eerie and unsettling shots that capture the haunted essence of the house, often using dim lighting to create a sense of doom and gloom. The use of close-ups during the supernatural encounters heightens the intensity, immersing viewers deeper into the horror unfolding on screen. Ahlberg skilfully manipulates camera angles and perspectives to evoke feelings of disorientation and unease, much like the film's protagonist, who is navigating his way through a world turned upside down. The visual storytelling in "House" is further enhanced by the vibrant colour grading, which contrasts the normal world's bright, bold colours with the haunted house's murky, muted tones. This stark visual dichotomy adds another layer to the film's exploration of the thin line between reality and the supernatural.

Critics When Released

Steve Minor - director House (1985)

Upon its release, "House" was met with mixed reviews from critics. Although some praised its unique blend of horror and comedy, others were less enthusiastic, finding the comedic elements to be out of place in a horror film or criticising the horror elements as not being scary enough. The Chicago Tribune, for instance, lauded the film for its "ingenious" special effects and "cleverly contrasted" humour and horror, while The New York Times criticised it for a perceived lack of originality and coherence in its plot. Despite these criticisms, "House" has since garnered a cult following, with many fans and critics alike now appreciating its unique approach to the horror genre and its successful blending of disparate elements. It serves as a testament to the rich diversity of 80s cinema, an era that wasn't afraid to experiment, push boundaries, and blend genres in ways that were both innovative and entertaining.

Why '80s Zombie Films are Simply the Best

As we cap off this stroll down the memory lane of '80s horror, it's clear that this era bestowed upon us some unforgettable zombie flicks - ones that left an indelible imprint on the genre. What sets these films apart and cements their status as the best? Is it their innovative storytelling, unforgettable characters, or their unique blend of horror and humour? Perhaps, it's a combination of all these elements and more.

Zombie collage

Comparing and contrasting these movies with other '80s zombie films, it's evident that they stand the test of time, retaining their shock value and cultural relevance even today. They are more than just films. They are time capsules, capturing the unique spirit and creativity of '80s cinema.

So, whether you're a horror aficionado, a connoisseur of '80s cinema or just after a good nostalgic laugh, the zombie films of the '80s have got you covered. They are more than just a source of scares; they are a testament to the power of cinema to shock, amuse, and captivate in equal measure. And that's why '80s zombie films are, without a doubt, simply the best.